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Most significant among these are the establishment of two Japanese schools of Esoteric Buddhism, Shingon, in the early 9th century, the increasing appeal of Amidism in the 10th century, and, with the understanding that Buddhism entered a final millenarian era in the mid-11th century, a florescence of various iconography produced in the hopes of gaining religious merit.The court in Heian-kyō was justifiably wary of Buddhism, at least in any powerfully institutionalized form.The two monks were intent on the study and assimilation of current Chinese Buddhist thinking.Saichō studied the teachings of the Tiantai sect (Japanese: Tendai).This steady decline in aristocratic fortune and power was perceived by courtiers as an impending collapse of a natural and just order.Literature and art of the period were thus often infused with nuances of sadness, melancholy, and regret.An imperially approved embassy to China in 804 included the well-known monk Kūkai.
Nagaoka was marred by contention and assassination, however, rendering it an inauspicious location for the capital.Attempts by the Nara court to use Buddhism as a complicit pacifier in the pursuit of state goals had run afoul; excessive expenses incurred in erecting massive temples and commissioning appropriate iconography had effectively bankrupted the state treasury; and Buddhist attempts at political intrigue had nearly resulted in a religious dictatorship.Thus, in the configuration of the new capital, only two Buddhist temples were allowed within the boundaries of the city. Like depression over taking me and this fucking stupid camp I had to go to. I just saw Dodgeball: A True Underdog Story, which is fricking funny! Nagaoka, a site to the north of Nara and slightly to the west of present-day Kyōto.